Sorry, I ran out of credit purchase a prescription for amaryl This comes to a head in a final confrontation with those wicked nuns, by which time an added injustice – and a major plot recalibration – throws the movie’s moral balance ever so slightly off. That final injustice is almost intolerable: In the trade-off between Philomena’s forbearance and Coogan’s viperish anger – “It’s the Catholic Church that should be going to confession, not you” he points out – it is Coogan who wins the day, more so perhaps than the filmmakers might have liked.