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“The only way I can put it is that Jonas and I had written our screenplay as a harmonic piece,” he says, “but then Sandra and George came in to bring the melody.” When Cuarón talks about cinema, he does it in musical terms: shots are movements, editing is rhythm. Gravity begins with an astonishing 17-minute unbroken take during which the astronauts’ ship is torn apart by debris from an exploded satellite. The take ends with us watching Bullock’s character spinning off into the darkness: the original image from which the entire film grew.
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